• The Great Outdoors is a celebration of the Canadian landscape and the many ways we inhabit and experience it: from kayaking  and fishing trips to picnics  and passing down our stories shaped by encounters with animals and the land itself. Bringing together work by Edward Burtynsky, Steve Driscoll, Ann MacIntosh Duff, Greg Hardy, John Hartman, Charles Meanwell, and Tom Wilson Tehohàhake, The Great Outdoors features paintings, photography, and works on paper created en plein air and in their studios. This exhibition is on view at the gallery from Saturday, July 11th through Saturday, August 8th.

  • HIGHLIGHTS

    • Steve Driscoll Will and determination, 2025 oil pigments and urethane on composite panel 39 x 48 in.
      Steve Driscoll
      Will and determination, 2025
      oil pigments and urethane on composite panel
      39 x 48 in.
      $ 14,000.00
    • John Hartman Vanessa's Pool to Lightning Rock, 2025 oil on linen 68 x 48 in.
      John Hartman
      Vanessa's Pool to Lightning Rock, 2025
      oil on linen
      68 x 48 in.
      $ 28,000.00
    • Charles Meanwell Crimson Patch, 2026 oil on panel 40 x 40 in.
      Charles Meanwell
      Crimson Patch, 2026
      oil on panel
      40 x 40 in.
      $ 9,000.00
    • Tom Wilson Tehohàhake Two Messengers, 2026 oil on panel 24 x 18 in.
      Tom Wilson Tehohàhake
      Two Messengers, 2026
      oil on panel
      24 x 18 in.
      $ 4,500.00
    • Ann MacIntosh Duff Cruising Along, c. 1990 watercolour on paper 22 x 30 in.
      Ann MacIntosh Duff
      Cruising Along, c. 1990
      watercolour on paper
      22 x 30 in.
      $ 9,000.00
    • Edward Burtynsky Rainforest #3, Olympic National Park, Washington, USA, 2024 pigment inkjet print on Kodak Professional Photo Paper
      Edward Burtynsky
      Rainforest #3, Olympic National Park, Washington, USA, 2024
      pigment inkjet print on Kodak Professional Photo Paper
      $ 40,000.00
    • Greg Hardy Momentary Glow, 2026 acrylic on linen 48 x 60 in.
      Greg Hardy
      Momentary Glow, 2026
      acrylic on linen
      48 x 60 in.
      $ 20,000.00
  • Much of Ann MacIntosh Duff's work was centered around her life on Georgian Bay. Until very late in her life,...

    Much of Ann MacIntosh Duff's work was  centered around her life on Georgian Bay. Until very late in her life, MacIntosh Duff returned annually to a cottage on her beloved Scotch Pine Island where she lived by herself for three months, watching, listening and painting. The cottage had no running water or electricity so MacIntosh Duff would saturate her watercolour paper by dipping it in the lake.

  • 'The Eastern shoreline of Georgian Bay is my home landscape. It is where I grew up and where I currently...

    "The Eastern shoreline of Georgian Bay is my home landscape. It is where I grew up and where I currently live. It has given me my sense of scale, light and form. When I travel, I compare all other landscapes to it. When I paint it, in its bright, hard summer light or during wild onshore winds, I feel entirely at home." - John Hartman

  • Steve Driscoll's first formulations of what a landscape could be occurred during his childhood on canoe trips with his family....

    Steve Driscoll's first formulations of what a landscape could be occurred during his childhood on canoe trips with his family. For this body of work, Driscoll scoured his extensive archive of photographs taken on tripsthrough Algonquin, Killarney, and Temagami in search of images of more quiet, intimate moments along the way.

  • In 1983 at the outset of his career, Edward Burtynsky drove through Hoh River Valley in Washington state during what...

    In 1983 at the outset of his career, Edward Burtynsky drove through Hoh River Valley in Washington state during what would later be recognized as a formative project in North America. He wrote about the encounter in his journal and made a note to one day return and photograph it. 41 years later, Burtynsky documented the lush surroundings of the Hoh Rainforest in exquisite detail. This work represents Burtynsky's recent commitment to documentating pristine landscapes as a way of inspiring hope.

  • For more than forty years, Charles Meanwell has painted the places that surround him. His latest body of work is...
    Charles Meanwell
    Red Tree, 2026
    oil on canvas
    56 x 63 in.
    $ 12,000.00

    For more than forty years, Charles Meanwell has painted the places that surround him. His latest body of work is inspired by his recent move to Montreal and a deliberate choice to give up his car in favour of train travel and walking. Through these moments of motion, Meanwell distills his new home into lines, shapes, and blocks of colour, interspersing his soft colour palette with deeper reds and greens, echoing the city’s brick buildings and parks.

  • 'Greg Hardy grew up on the edge of the Saskatchewan prairie, where the horizon surrounds the body with a sense...

    "Greg Hardy grew up on the edge of the Saskatchewan prairie, where the horizon surrounds the body with a sense of unbroken openness. From an early age, he learned to watch the sky not as background but as a living, shifting presence. Clouds gathered and dissolved, storms built slowly from the west, and the quality of light changed with the seasons in ways that quietly trained his perception. “I became a daydreamer very early, and eventually a skywatcher,” he later recalled. These early experiences formed his intuitive understanding of atmosphere, space, and movement."

     

    Excerpt from an essay by Gerald McMaster. Read here.

  • 'The dotted details in these paintings are a tribute to Kahnawake beadwork, to the colour and intricacy delivered by the...
    Tom Wilson Tehohàhake
    Bear, 2026
    oil on panel
    48 x 72 1/4 in.

    "The dotted details in these paintings are a tribute to Kahnawake beadwork, to the colour and intricacy delivered by the hands of my ancestors." - Tom Wilson Tehohàhake