Nicholas Metivier Gallery



  B.A. Photographic Arts (Media Studies Program), Ryerson Polytechnical University, Toronto, Ontario Diploma, Graphic Arts, Niagara College, Welland, Ontario


2018 Anthropocene, Bryce Wolkowitz Gallery, New York, NY
Anthropocene, Howard Greenberg Gallery, New York, NY
The Human Signature, Flowers Gallery, London, UK
Anthropocene, Robert Koch Gallery, San Francisco, CA
Anthropocene, Weinstein Hammons Gallery, Minneapolis, MN
Anthropocene, Nicholas Metivier Gallery
Anthropocene, National Gallery of Canada
Anthropocene, Art Gallery of Ontario
Acqua Shock, Ludwig Museum, Koblenz Germany
Water Matters, London, UK
Man and Earth, Horten, Norway
Edward Burtynsky, Selected Work, Denver, Colorado
Witness: Edward Burtynsky, Art Gallery of Hamilton, Hamilton, Ontario
2017 Salt Pans, Sundaram Tagore Gallery, Singapore
Industrial Abstact, Von Lintel Gallery, Los Angeles, CA, USA
Edward Burtynsky: Water, Kunst Haus Wien, Vienna, Austria
L'uomo E La Terra, Centro Saint-Benin di Aosta, Aosta, Italy
Intentional Landscapes, Arthur Roger Gallery, New Orleans, Louisiana
Edward Burtynsky: The Scarred Earth, Audain Art Museum, Whistler, British Columbia
2016 Edward Burtynsky: Salt Pans | Essential Elements, Nicholas Metivier Gallery, Toronto, Canada
Edward Burtynsky: Infinite Change: Works from the Permanent Collection, Kitchener-Waterloo Art Gallery, Kitchener, Ontario
Edward Burtynsky: Oil, Phoenix Art Museum, Phoenix, Arizona, USA
Relationships and Reconfigurations: Edward Burtynsky, Okotoks Art Gallery, Okotoks, Alberta, Canada
Houston Fotofest Biennial 2016: Changing Circumstances, Looking at the Future of the Planet, Edward Burtynsky (featured exhibition), The Silos at Sawyer Yards,
Houston, Texas, USA
Edward Burtynsky: Water, Phoenix Art Museum, Phoenix, Arizona, USA
Edward Burtynsky: Water, Chrysler Museum of Art, Norfolk, Virginia, USA
Burtynsky: Photographs From Water, Borusan Contemporary, Istanbul, Turkey
Agua Shock, Sala Municipal de Exposiciones, San Benito, Valladolid, Spain
2015 Art/Act: Edward Burtynsky, David Brower Center, Berkeley, California, USA
Edward Burtynsky: Acqua Shock, Expo Milano, Palazzo Ragione, Milan, Italy
Burtynsky: The Industrial Sublime, Mulvane Museum of Art, Washburn University, Topeka, Kansas, USA
Edward Burtynsky: Water, Grand Rapids Art Museum, Grand Rapids, MI, USA
The Photographs of Edward Burtynsky, Domaine de Chaumont-sur-Loire, Chaumont-sur-Loie, France
Edward Burtynsky: Water and More, Innsbruck, Austria
The Industrial Sublime: Edward Burtynsky, Fruitlands Museum, Devens, MA, USA
Edward Burtynsky: Nature Transformed, Von Lintel Gallery, Los Angeles, CA, USA
2014 Edward Burtynsky: Water, Grinnell College, Faulconer Gallery, Grinnell, Iowa, USA, July 11 - September 28, 2014
Edward Burtynsky: Water, Scheublein + Bak, Zurich, Switzerland,
June 14 - July 25, 2014
Water! Neue Fotografien von Edward Burtynsky, Altana Kultur Stiftung Museum Sinclair-Haus, Bad Homburg, Germany,
June 29 - August 31, 2014
Edward Burtynsky: Water, Sundaram Tagore Gallery, Hong Kong,
May 9 - June 21, 2014
A Terrible Beauty, Vancouver Art Gallery, Vancouver, Canada
Edward Burtynsky: Water, Galerie Springer, Berlin, Germany, (in collaboration with Galerie Stefan Röpke, Köln)
January 31, - March 15, 2014, Opening 30.01.2014 7pm
Edward Burtynsky: Water, Sundaram Tagore Gallery, Singapore,
March 7 - April 6, 2014
Edward Burtynsky: Water, Paul Kuhn Gallery, Calgary, Alberta, Canada,
March 1 - 29, 2014
Edward Burtynsky, Canada House Gallery, London, U.K.
January - February, 2014
2013 Burtynsky: Water, New Orleans Museum of Art (NOMA) / Contemporary Art Center (CAC), New Orleans, USA,
October 5, 2013 - January 19, 2014
Edward Burtynsky: The Landscape That We Change, McMichael Canadian Art Collection, Kleinberg, Canada,
June 29 - September 29
Royal Academy Summer Exhibition, London, UK,
June 10 - August 18, 2013
Nature Transformed: Edward Burtynsky's Vermont Quarry Photographs in Context, Middlebury College Museum of Art, Middlebury, Vermont, USA,
February 8 - April 21, 2013
Burtynsky: Oil, Canadian Museum of Nature, Ottawa, Canada,
June 4 - September 2
Material Matters, UNB Art Centre, University of New Brunswick, Fredericton, New Brunswick, Canada,
February 15 - April 15
2012 Edward Burtynsky: The Industrial Sublime, Nicolaysen Art Museum, Casper, Wyoming, September 28, 2012- January 6, 2013
Burtynsky: Oil, c/o Berlin, Germany, July 27 – September 9
Nature Transformed: Edward Burtynsky’s Vermont Quarry Photographs in Context, Hood Museum, Dartmouth College, Hanover, New Hampshire, US, April 21- August 19
Burtynsky: Oil, The Photographer's Gallery, London, U.K., May 19- July 1
Burtynsky: Oil, Taubman Museum, Roanoke, Virginia, USA, October 20, 2012 – January 8, 2013
Burtynsky: Oil, Nevada Museum of Art, Reno, Nevada, USA, June 9 – September 23
Burtynsky: Oil, Cornell Fine Arts Museum, Rollins College, Winterpark, Florida, USA, February 8 - May 13
Edward Burtynsky: The Industrial Sublime, Frist Center for the Visual Arts, Nashville, Tennessee, USA, May 25 - September 1
Edward Burtynsky: The Industrial Sublime, University of Wyoming Art Museum, Laramie, Wyoming, USA, January 29 - May7
Monegros – Dryland Farming, Flowers Gallery, London, U.K., January 12- February 5
Edward Burtynsky: Shipbreaking, South Seaport Museum, New York City, USA, January 25- May 28
Edward Burtynsky: Encounters, Glenbow Museum, Calgary, Alberta, Canada, January 21- May 6
2011 Burtynsky: Oil, McCord Museum, Montréal, Quebec, Canada, October 7, 2011 - January 8, 2012
Edward Burtynsky: The Industrial Sublime, (touring exhibition) Shaw Gallery, Weber State University, Ogden, Utah, USA, August 29 - November 29
Burtynsky: Oil, Ryerson University in association with the Institute for Contemporary Culture, Royal
Ontario Museum, Toronto, Ontario, Canada, April 9 - July 2
Burtynsky: Oil, Fotografiska Museet, Stockholm, Sweden, April 21 - June 26
Burtynsky: Oil, Altana Kulturstiftung, Bad Homburg, Germany, February 3 - April 3
Edward Burtynsky: L'Uomo e la Terra. Luci e Ombre, Centro Culturale di Milano, Milan, Italy, January 25 - March 27 (Artist's talk February 1)
2010 Photographs - Edward Burtynsky, Telus World of Science, Calgary, Alberta
Oil, Galeria Arnés y Roepke, Madrid
Australian Minescapes, Brisbane Powerhouse, Brisbane, Australia
Burtynsky: Oil, The Rooms - Provincial Art Gallery, St. John's, Newfoundland, Canada
Australian Minescapes, Sovereign Hill Gold Museum, Ballarat, Australia
Edward Burtynsky: Min(d)ing the Landscape, Berman Museum of Art at Ursinus College, Collegeville, Pennsylvania
2009 Burtynsky: Oil, Torch Gallery, Amsterdam, Netherlands
Australian Minescapes, Western Australian Museum, Geralton, Australia
Burtynsky: Oil, Huis Marseille, Amsterdam, The Netherlands
Burtynsky: Oil, Adamson Gallery, Washington, D.C., USA
Burtynsky: Oil, Corcoran Gallery of Art, Washington, D.C., USA (exhibit tours through 2012)
Burtynsky: Oil, Nicholas Metivier Gallery, Toronto, Canada
Burtynsky: Oil, Hasted Hunt Kraeutler Gallery, New York, USA
Australian Minescapes, Australian Centre for Photography, Melbourne, Australia
Manufactured Landscapes, Museum of Science, Boston, Massachusetts, USA
Edward Burtynsky: Quarries, Sidney Cooper Gallery, Christ Church University, Canterbury, U.K.
Whyte Museum of the Canadian Rockies, Banff, Alberta, Canada
Australia - Edward Burtynsky, Art45, Montreal, Canada
Burtynsky Australian Mines, Gallerie Stefan Roepke, Köln, Germany,
Edward Burtynsky: Uneasy Beauty, Surrey Art Gallery, Surrey, British Columbia, Canada
Burtynsky Australian Mines, Flowers East Gallery, London, U.K.,
Material World, Queen's University, Kingston, Ontario,
New Quarries, Galeria Toni Tapies, Barcelona, Spain
Iberia Quarries, Galería Arnés y Röpke, Madrid, Spain
Australian Minescapes, Western Australian Maritime Museum, Fremantle, Australia
In Pursuit of Progress, Winnipeg Art Gallery, Winnipeg, Canada
New Quarries, Flowers East Gallery, London, U.K.
2007 Galerie Stefan Röpke, Berlin, Germany
New Quarries, Robert Koch Gallery, San Francisco, California
New Quarries, Nicholas Metivier Gallery, Toronto
New Quarries, Charles Cowles Gallery, New York City
Manufactured Landscapes, Gemeentemuseum Helmond, Helmond, Netherlands
China Works, Koldo Mitxelena Kulturunea, San Sebastián, Spain
Burtynsky Photographs, (major survey exhibition) Gemeentemuseum Helmond, The Netherlands
Edward Burtynsky: Photographs, Canadian Cultural Institute, Paris, France
Edward Burtynsky: The China Series, (touring exhibition) Southeaster Center for Contemporary Art, Raleigh
— Southeastern Center for Contemporary Art (SECCA), Winston-Salem, North Carolina 2006
— Boca Raton Museum of Art, Boca Raton, 2006
— Presentation House Gallery, North Vancouver, British Columbia, 2006
— Tufts University Art Gallery, Aidekman Arts Center, Medford, Massachusetts, 2007
— Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania, 2007
— The Art Museum, University of Oregon, Eugene, Oregon, 2008
— Bowdoin College Museum of Art, Brunswick, Maine, 2008
2006 Edward Burtynsky: Eight China Works, The Barbara Krakow Gallery, Boston, Massachusetts
Edward Burtynsky: China, FotoFo - Month of Photography, Palace of Art, Bratislava, Slovaki
Fabryka Krajobrazu: Manufactured Landscapes, Yours Gallery, Warsaw, Poland
Edward Burtynsky: Quarries, Paul Kuhn Gallery, Calgary, Alberta
Edward Burtynsky: The Edmonton Art Gallery Gift, Edmonton Art Gallery, Edmonton, Alberta
New China Works, ART45, Montreal, Quebec
Edward Burtynsky: China’s Industrial Revolution, Paul Kuhn Gallery, Calgary, Alberta
PhotoEspana, Centro Cultural de la Villa, Madrid, Spain
Galeria Toni Tàpies, Barcelona, Spain
Galerie Stefan Röpke, Cologne: Shipyards, Building and Breaking
2005 Manufactured Landscapes (includes 24 new China images), Brooklyn Museum of Art, Brooklyn, New York
Manufactured Landscapes, Museum of Photographic Arts, San Diego, California
Photowork, The Torch Gallery, Amsterdam, The Netherlands
Manufactured Landscapes, Iris & B. Gerald Cantor Center for Visual Art, Stanford University, Stanford, California
Entropia, Fundacion Bilbao Bizkaia Kutxa, Bilbao, Spain
Burtynsky — China, Robert Koch Gallery, San Francisco, California
Burtynsky — China, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina (touring exhibition - see above)
Burtynsky — China, Nicholas Metivier Gallery, Toronto, Ontario
Burtynsky — China, Charles Cowles Gallery, New York, New York
Burtynsky — China, Flowers Gallery, London, England
2004 Manufactured Landscapes, Art Gallery of Ontario, Toronto
Manufactured Landscapes, Musée d'art contemporain de Montréal
Asian Quarries, Nicholas Metivier Gallery, Toronto
2003 Landmarks, Oakville Galleries, Centennial Square, Oakville, Ontario
Edward Burtynsky: Mid-Career Retrospective, The National Gallery of Canada, Ottawa, Ontario
— Finnish Museum of Photography at Cable Factory, Helsinki, Finland
— The Art Gallery of Ontario, Toronto, Ontario
— The Brooklyn Museum of Art, Brooklyn, New York
— The Museum of Photographic Arts, San Diego, California
— Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, California
Before the Flood" Robert Koch Gallery, San Francisco, California
Before the Flood" Mira Godard Gallery, Toronto, Ontario
Before the Flood" Flowers Gallery, London
2002 Burtynsky, Kitchener-Waterloo Art Gallery, Kitchener, Ontario
Burtynsky, The Prairie Art Gallery, Grand Prairie, Alberta
Burtynsky, Paul Kuhn Gallery, Calgary, Alberta
Burtynsky, Charles Cowles Gallery, New York
Eight Large Photographs, Mira Godard Gallery, Toronto, Ontario
Shipbreaking II, Robert Koch Gallery, San Francisco, California
Rajasthan New Work, Flowers Central, London
Rock of Ages: Photographs by Edward Burtynsky, Elgin Community College, Elgin, Illinois
2001 Shipbreaking, Mira Godard Gallery, Toronto, Ontario
New Work, Robert Koch Gallery, San Francisco
Survey Show, Burlington Art Centre, Burlington, Ontario
Vues et points de vue: L'architecture de Borromini dans les photographies d'Edward Burtynsky - Canadian Centre for Architecture, Montréal, Québec
2000 Oil Refineries, Mira Godard Gallery, Toronto, Ontario
Edward Burtynsky Photographs, McMaster Museum of Art, Hamilton, Ontario
Vues et points de vue: L'architecture de Borromini dans les photographies d'Edward Burtynsky, Canadian Centre for Architecture, Montréal, Québec
1999 In the Wake of Progress, Robert Koch Gallery, San Francisco, California
Ed Burtynsky, Robert Klein Gallery, Boston, MA.
1998 Urban Mines, Mira Godard Gallery, Toronto, Ontario
Urban Mines and Tailings, Laurence Miller Gallery, New York, New York
In the Wake of Progress: Quarries, Tailings & Urban Mines, Paul Kuhn Fine Arts, Calgary, Alberta
1996 Tailings, Mira Godard Gallery, Toronto, Ontario
1995 Quarries, Lawrence Miller Gallery, New York, New York
1994 The Carrara Marble Quarries, Mira Godard Gallery, Toronto, Ontario
1993 The Stone Quarries, Mira Godard Gallery, Toronto, Ontario
1988 Breaking Ground - Produced by the Canadian Museum of Contemporary Photography Exhibition tour:
— Art Gallery of Hamilton, Hamilton, Ontario
— Toronto Photographers Workshop, Toronto, Ontario
— Floating Gallery - Winnipeg, Manitoba - 1989
— Cedarbrae District Library, Scarborough, Ontario - 1989
— Whyte Museum of the Canadian Rockies, Banff, Alberta - 1990
— Bibliotèque municipale de Mont-Joli, Mont-Joli, Québec - 1990
— Alberta College of Art Gallery, Calgary, Alberta - 1991
— The Gallery/Stratford, Stratford, Ontario - 1991
— Galerie d'art de Matane, Matane, Québec - 1991
— Lacham Gallery, Stouffville, Ontario - 1992
— Cambridge Public Library and Art Gallery, Cambridge, Ontario - 1992
— Maltwood Art Museum and Gallery, Victoria, British Columbia - 1992
— Alberni Valley Museum, Port Alberni, British Columbia - 1992
1987 Mines and Railcuts, Lawrence Miller Gallery, New York, N Y.
1986 Landscapes, Toronto Image Works Gallery, Toronto, Ontario
1985 Earthworks, Kitchener Waterloo Art Gallery, Kitchener, Ontario
Landscapes, Gallery 252, Hamilton, Ontario
1984 Earthworks, A Moment in Time Gallery, Toronto, Ontario
1982 Landscapes & Greenhouses, Ryerson Photographic Arts Gallery, Toronto, Ontario


2019 Landscape as Muse, Nicholas Metivier Gallery, Toronto, ON
2018 Ear to the Ground: Earth and Element in Contemporary Art, New Orleans Musuem of Art, New Orleans, LA
Civilization: The Way We Live Now, National Museum of Modern and Contemporary Art, Seoul, South Korea
Nature’s Nation: American Art and Environment, Princeton University Art Museum, Princeton, NJ
The World to Come, The Harn Museum of Art, University of Florida, Gainsville, FL
The Beauty of Lines, Masterpieces From the Sondra Gilman and Celso Gonzalez-Falla Collection, Musee de l’Elysee, Lausanne Switzerland
Photography in Canada: 1960-2000, The Rooms Provincial Art Gallery, St. John’s, Newfoundland
2017 Perfect Brightness: Discovery And Escape In Contemporary Photography, Art Gallery of Nova Scotia, Halifax, Nova Scotia
Stone and Sky: Canada's Mountain Landscapes, Audain Art Museum, Whistler, British Columbia
Ambiguous Territory: Architecture, Landscape and the Postnatural, Taubman College Gallery, Ann Arbor, Michigan
Land And Lens: Photographers Envision The Environment, Middlebury College Museum of Art, Middlebury, Vermont
Man-Made Landscapes, Galerie Clairfontaine, Luxembourg
In Our Nature, Corridor Gallery, Brooklyn, New York
AlterNation, Kamloops Art Gallery, Kamloops, British Columbia
The Amended Landscape, The Latcham Gallery, Stouffville, Ontario
Hello, Robot Vitra Design Museum, Weil am Rhein, Germany (Touring Exhibiton)
— MAK Exhibition Hall, Vienna
— Design Museum Gent
Nuit de la Photo, (HD projections) La Chaux-de-Fonds, Switzerland
Past Imperfect: A Canadian History Project, Art Gallery of Alberta, Edmonton, Alberta
Remembering Roy Lacaud Heenan (1935-2017), Montreal Museum of Fine Art, Montreal, Quebec
AutoPhoto, Fondation Cartier pour l’Art Contemporain, Paris, France
Photography in Canada: 1960-2000, National Gallery of Canada, Ottawa, Ontario
2016 Watershed: Contemporary Landscape Photography, Jepsen Center, Telfair Museums, Savannah, Georgia, USA
The Edge of the Earth: Climate Change in Photography and Video, Ryerson Image Centre, Ryerson University, Toronto, Ontario, Canada
Indestructible Wonder, San Jose Museum of Art, San Jose, California, USA
Water, Durham Art Gallery, Durham, Ontario, Canada
Landscapes Reconstructed, Whyte Museum of the Canadian Rockies
Banff, Alberta, Canada
The Governor General’s Awards in Visual and Media Arts 2016, National Gallery of Canada, Ottawa, Ontario, Canada
The World We Live In: Through The Lens of Contemporary Photography, Ayala Museum  Metro Manila, Philippines
Sublime. The Tremors of the World, Pompidou Centre, Metz, France
The 4 Elements: Water, Museum of Breadculture, Ulm, Germany
2015 A Terrible Beauty: Edward Burtynsky in Dialogue with Emily Carr, Kelowna Art Gallery, Kelowna, British Columbia, Canada, January 10 to March 1, 2015
Transformation of Canadian Landscape Art: Inside and Outside of Being, Today Art Museum , Beijing China, January 31 – March 8, 2015
Edward Burtynsky and David Shapiro, Nicholas Metivier Gallery, Toronto, Ontario, Canada, April 2 – 25, 2015
Frontiers Reimagined: Art That Connects Us, Venice Biennale, Venice, Italy, May 9 – October 22, 2015
2014 The Power of Water, Fotodok, Space for Documentary Photography, Utrecht, The Nederlands
Nets: Weaving Webs in Art, Kunsthalle zu Kiel, Germany
Blue: Matter, Mood, and Melancholy, 21c Museum, Cincinnati, Ohio, USA
2013 Royal Academy Summer Exhibition, London, UK,
June 10 - August 18, 2013
Landmark: The Fields of Photography, Somerset House, London, U.K. 
Format, International Photography Festival, Derby, UK
Big Pictures, Amon Carter Museum of American Art. Fort Worth, USA
Climate of Uncertainty, DePaul Art Museum, Chicago, Illinois, USA
Picturing the Sublime, The Phillips Collection, Washington D.C., USA
2012 America in View: Landscape Photography 1865 to Now, Museum of Art, Rhode Island School of Design,
Providence, Rhode Island, USA
Portfolio: Artists Work in Series, Faulconer Gallery, Grinnell College, Grinnell, Iowa, USA
Subverted, Ivory Press, Madrid, Spain
2011 Infinite Balance, Museum of Photographic Arts (MoPA), San Diego, California, USA
Songs of the Future: Canadian Industrial Photographs, 1858 to Today, Art Gallery of Ontario, Toronto, Canada
To The Ends of the Earth, Adamson Gallery, Washington, D.C., USA
The Ocean Reglitterized, Pelham Art Center, Pelham, New York, USA
LOOK11 – Liverpool International Photography Festival, Liverpool, U.K.
Royal Academy Summer Exhibition, London, U.K.
Depiction, Confederation Art Centre, Charlottetown, Prince Edward Island, Canada, May 28- October 2
The Altered Landscape: Photographs of a Changing Environment, Nevada Museum of Art, Reno, Nevada, USA
The Eye is a Lonely Hunter: Images of Human Kind – Ecological Circuits, Wilhelm Hack-Museum, Ludwigshafen, Germany
Embarrassment of Riches: Picturing Global Wealth, Nerman Museum of Contemporary Art, Overland Parks, KS, USA
The Art of Caring: A Look at Life Through Photography, The Art Museum of South Texas, Corpus Christi, TX
The Art of Caring: A Look at Life Through Photography, Museum of Art, Fort Lauderdale, FLA
Seeing Now: Photography Since 1960, The Baltimore Museum of Art, Baltimore, MD, USA
The Kasper Collection: Mannerism and Modernism, The Morgan Library and Museum, New York City, USA
2010 In Focus: Photography from the Permanent Collection, Bowdoin College Museum of Art, Brunswick, Maine, USA
Water: National Geographic, Annenberg Space for Photography, Los Angeles, California, USA
Tilt - BredaPhoto, Breda, Netherlands
Prix Pictet: Earth, Eindhoven University of Technology, Eindhoven, Netherlands
- The Empty Quarter, Dubai
2009 Uneasy Pieces, Oakville Galleries, Oakville, Ontario, Canada
Vanishing Landscapes/Verschwindende Landschaften, Galerie Nikolaus Ruzicska, Salzburg, Austria
In the Darkroom: Photographic Processes before the Digital Age, National Gallery of Art, Washington, DC, USA
Earth: Art of a Changing World, Royal Academy of Arts, London, U.K.
Prix Pictet 2009: Earth, Passage de Retz, Paris, France
Thessaloniki Museum of Photography, Thessaloniki, Greece
Moor House, London, U.K.
Purdy Hicks Gallery, London, U.K.
Les Visages de l'industrie, Musée des beaux-arts, Le Locle, Switzerland
Connecting to Collections 2: Destinations, Gallery Lambton, Sarnia, Ontario, Canada
Substantial Resources, Art Gallery of Sudbury, Sudbury, Ontario, Canada
Una fábrica, Una Máqina Un Cuerpo, Museo Universitario de Arte Contemporaneo, Ciudad
Universitaria, Mexico, October 17 2009 - February 24 2010
Why Work? Rurart, Centre for Contemporary Art, Rouille, France
Nature Nation, Museum on the Seam, Jerusalem, Israel
Una fábrica, Una Máqina Un Cuerpo, Centre de Documentació Panera, Lleida, Spain
Chelsea visits Havana, Museo Nacional de Bellas Artes
Damaged Romanticism: A Mirror of Modern Emotion, Grey Art Gallery, New York University, New York
Trouble in Paradise: Discord Between Nature and Society, Tucson Museum of Art, Tucson, Arizona
Evolving Eden, Sheldon Museum of Art, Lincoln, Nebraska
Prix Pictet 2008 Shortlisted Artists Exhibition:
Thessaloniki Museum of Photography, Thessaloniki
Royal Geographical Society, London, U.K., The Intelligence Squared Green Festival
Eindhoven University of Technology, Eindhoven
2008 La Grande Image: Histoire de la Photographie Panoramique de 1839 à nos jours, Pavillon Populaire, Montpellier, France
Prix Pictet, Palais de Tokyo, Paris, France
Manufactured Landscapes, Bowdoin College Museum of Art, in Brunswick, Maine
Scale Matters: Photographs from the Joseph and Charlotte Lichtenberg Collection,
The Phillips Collection, Washington, D.C.
POV/21: Twenty-First Century Points of View, St. Lawrence University, Canton, New York
Somewhen, Jarach Gallery, Venice, Italy
The Tropics, Martin Gropius Bau, Berlin
Modern Photographs: The Machine, the Body and the City - Gifts from the Charles Cowles Collection, Parrish Art Museum, Southampton
Imaging a Shattering Earth: Contemporary Photography and the Environmental Debate,
— National Gallery of Canada, Ottawa, Ontario
— Brunnier Art Museum, Iowa State University, Ames, Iowa
Moving Walls, Open Society Institute, Washington, D.C.
China in Motion, Phase 2, Arup, London, U.K.
1% - Water and Our Future, Hasselt, Belgium
Twice Removed, Nicholas Metivier Gallery, Toronto
Sound the Alarm: Landscapes in Distress, Glyndor Gallery, Wave Hill, The Bronx, New York
Shifting Landscapes, Power House Arena, Brooklyn, New York
Eastern Standard: Western Artists in China, Massachusetts Museum of Contemporary Art, USA
Ingenuity, Palais des Beaux Arts, Brussels, Belgium
Relics and Ruins, Instituto Oi Futuro, Rio de Janeiro, Brazil & SESC Paulista, Sao Paulo, Brazil.
China Works, Center Koldo Mitxelena, San Sebastian, Spain
International Biennial of Photography and Visual Arts, Liege, Belgium
2007 Utopian Mirage: Social Metaphors in Contemporary Photography and Film, Loeb Art Center, Poughkeepsie, NY
Moving Walls, Open Society Institute, New York
We are All Photographers Now! Musée de l'Elysée, Lausanne, Switzerland
A History of Photography, Victoria and Albert Museum, London, U.K.
Imaging a Shattering Earth, Dalhousie Art Gallery, Halifax
Enfants De Cartier, Photographie Canadienne Contemporaine, Théâtre de la Photographie et de l'Image, Nice, France
Ingenuity, Gulbekian Foundation, Lisbon, Portugal
2006 C On Cities, Venice Biennale, Pavillion Padiglione Italia, Giardini della Biennale, Venice, Italy
Modern Photographs: The Machine, the Body and the City - Gifts from the Charles Cowles Collection, Miami Art Museum, Florida
Imaging Asia in Documents, 1st Photo Biennale, Daegu , Korea
Aspects & Transformations, Photography Museum of Thessaloniki, Greece
Made in China, Museum of Contemporary Photography, Chicago, Illinois
Modern Times: Work, Machinery and Automation in the Arts of 1900, Palazzo Ducale, Genoa, Italy
Imaging a Shattering Earth, Museum of Contemporary Canadian Art (MOCCA), Toronto
2005 Imaging a Shattering Earth, Oakland University, Rochester, Michigan
Disaster Topographics, Toronto Photographer's Workshop, Toronto, Ontario
Subjective Distance, McMaster Museum of Art, Hamilton, Ontario
Hot Mush and Cold North, The Ottawa Art Gallery, Ottawa, Ontario
2003 Industry and Entropy, Freedman Gallery, Albright College Center for the Arts, Reading, Pennsylvania
2002-2003 Altered Landscape: The Carol Franc Buck Collection, Norsk Museum for Fotografi – Preus Fotomuseum, Horten, Norway & Nevada Museum of Art, Reno, Nevada
2002 New Acquisitions: New Work / New Directions3 / Contemporary Selections, Los Angeles County Museum of Art, Los Angeles, California
Altered States: Landscape Transformation in the Wake of Progress, University Art Gallery, University of California, San Diego, La Jolla, California
Curator's Forum: Collecting Contemporary Art, Ackland Art Museum, University of North Carolina, Chapel Hill, North Carolina
The Eye of the Beholder: A History of Photography from the LaSalle Bank Photography Collection, Grand Rapids Art Museum, Grand Rapids, Michigan
2001 Detourism, The Renaissance Society, University of Chicago, Chicago, Illinois
Site/Seeing, Art Gallery of Ontario, Toronto, Ontario
1999 Virgin Land, Nassauischer KunstVerein, Weisbaden, Germany
L'Évocation, Marché Bonsecours, Montréal, Québec
The Sudbury Basin: Industrial Topographies, The Art Gallery of Sudbury, Ontario
1998 On the Nature of Landscape, Mt. Holyoke College Art Museum, South Hadley, Massachusetts
1997 Work, Workers, Works: Rearranging the Land, Dalhousie University, Halifax, Nova Scotia
The Big Picture, Albright-Knox Gallery, Buffalo, New York
Land Used, Carleton College Art Gallery, Northfield, Minnesota
1996 Before the Land Behind the Camera, Canadian Museum of Contemporary Photography, Ottawa
1994 Burtynsky/Maynard, Art Gallery of Ontario, Ontario
1993 Embodied Spaces, Le Mois de la Photo, Montreal, Quebec (cat)
1992 Beau: A Reflection on Beauty of Nature in Photography, Canadian Museum of Contemporary Photography, Ottawa, Ontario (cat)
1991 Tainted Prospects: Photographers and the Compromised Environment, Co-curated by John Pfahl and Sandra Olsen, Castellani Art Museum, Lewiston, New York (cat)
1990 The Landscape: Eight Canadian Photographers, McMichael Canadian Art Collection, Kleinburg, Ontario (cat)
Le Mois de la Photo, Curator: Katy McCormick, Concordia University, Montréal, Québec
1989 Money Matters: A Critical Look at Bank Architecture, Museum of Fine Arts, Houston, Texas (book)
Exhibition tour:
—Museum of Fine Arts, Houston, Texas - 1989
—National Building Museum, Washington, D.C. - 1990
—Canadian Centre for Architecture, Montréal, Québec - 1990
—Vancouver Museum, Vancouver, British Columbia - 1991
—National Gallery of Canada, Ottawa, Ontario - 1992
—Royal Ontario Museum, Toronto, Ontario - 1992
Structure and Landscape in Contemporary Canadian Photography, Art Gallery of Northumberland, Cobourg, Ontario
What is Photography: 150 Years of Photography, Prague, Czechoslovakia (cat)
1987 Focus '87, Art Gallery of Ontario, Ontario
1982-1983 Transitions: The Landscape, Produced and toured by The National Film Board (now CMCP)
Exhibition tour:
—The Photo Gallery, Ottawa, Ontario - 1982
—Winnipeg Art Gallery, Winnipeg, Manitoba - 1982
—The Canadian Centre of Photography, Toronto, Ontario - 1983
—The Photography Gallery, La Jolla, S. California - 1983


2018 Master of Photography, Photo London, London, UK
Peace Patron, Mosaic Institute, Toronto, ON
Honorary Degree, Brock University, St. Catharines, ON
2017 Honorary Degree - Doctor of Laws degree from the University of Toronto, Toronto, Canada
Insight + Impact Award, Garrison Institute, Garrison, New York
2016 Governor General’s Awards in Visual and Media Arts
Lifetime Achievement in the Arts, ST. CATHARINE'S ARTS AWARDS, St. Catharines, Ontario, Canada
2014 Rogers Best Canadian Film Award,
Canadian Screen Awards, Watermark - Best Feature Length Documentary - March 2014
Toronto Film Critics Association, "TFCA Names 'Watermark' Best Canadian Film." January 7.
2013 Honorary Degree - Doctor of Arts degree from Middlebury College, Vermont, USA
Honorary Doctoral Degree - University of British Columbia, Canada
2012 Tiffany Mark Award - honors men and women who, through their professional or philanthropic endeavours, make a difference to their community.
2011 National Magazine Awards, Gold Prize: Conceptual Photography, Toronto
MOCCA award, Toronto, Canada
Honorary Degree – Doctor of Laws, Mt. Allison University, Sackville, New Brunswick, Canada
Deutscher Fotobuchpreis – Silver Award, Burtynsky: Oil
2010 Krazna-Krausz Book Award, U.K. for Burtynsky: Oil
2009 Prix Pictet, London, U.K., Nomination & Short Listed
2008 Planet in Focus Media/Industry Eco-Hero Award
Canadian Environment Awards: Ideas for Life
Prix Pictet, London, U.K., Nomination & Short Listed
Toronto Friends of the Visual Arts, Achievement Award
ICP Infinity Award, Art Category, International Center
Deutscher Fotobuchpreis – for Burtynsky: Quarries
2007 Honorary Degree – Doctor of Fine Arts in Photography Study, Ryerson University, Toronto, Canada
Honorary Degree – Doctor of Fine Arts, Montserrat College of Art, Boston, USA
2006 Officer of the Order of Canada
The Order of Canada is the centrepiece of Canada’s Honours System and recognizes a lifetime of outstanding achievement, dedication to the community and service to the nation.
Honorary Degree - Doctor of Laws, Queen’s University, Kingston, Canada, October 2006
Applied Arts Magazine Awards, photography/illustration complete book: BURTYNSKY – CHINA
Toronto International Film Festival: The Toronto-City Award for Best Canadian Feature Film goes to Jennifer Baichwal’s compelling documentary MANUFACTURED LANDSCAPES, a portrait of Canadian photographer Edward Burtynsky. The jury notes: “From its astonishing first shot to its overwhelming conclusion, this film is a profoundly evocative dialogue between artists of the highest calibre; finding exceptional beauty in the peril of our planet.”
Atlantic Film Festival Association: Halifax, Nova Scotia. Winner: Best Canadian Documentary Jennifer Baichwal
Nomination: Deutsche Börse Photography Prize 2007, Photographer’s Gallery, London, U.K. Burtynsky is nominated for his exhibition CHINA at Flowers East earlier this year.
2004 TED Prize - inaugural (annual) Monterey, California
Flying Elephants Foundation Fellowship - inaugural award (annual) given to individuals from around the world who are working to benefit the environment through the arts and sciences.
The Rencontres d'Arles Outreach Award: "for a photographer or an artist making use of photography whose work has increased dialogue and exchange in the interests of humanity" - Arles, France
Roloff Beny Book Award - "Before the Flood"
Applied Arts Magazine - Photographic Book Award - "Before the Flood"
2003 Governor General of Canada Delegate - Circumpolar State Visit to Finland and Iceland
Royal Canadian Academy of Arts – Academician's Honours
2002 National Magazine Awards Foundation – Photojournalism Silver Award
2001 Now Magazine Reader’s Poll Award – "Best of Toronto: Photographer"


2017 National Holocaust Monument, Ottawa, Ontario, Canada. Architect Daniel Libeskind, Canadian photographer Edward Burtynsky, landscape architect Claude Cormier and University of Toronto Holocaust scholar Doris Bergen.
2005 Ars Electronica Festival - To provide visuals with live orchestra set to Philip Glass' 1992 work entitled "Low Symphony" - Between the Lines program, Brucknerhaus Theatre, Linz, Austria
1999/2000 Photographing the works of Baroque architecture of Borromini in Rome for a book to be published by the Yale University Press and authored by Joseph Connors
1991 "Mosaica", a one year commissioned photographic essay on the integration of the Ukrainian culture with Canadian culture for The Grant McEwan Centre, Edmonton, Alberta
1989 A corporate commission for a photographic essay on the nickel mines of Thompson Lake Manitoba for INCO Canada
1986 "Money Matters, A Critical History of Bank Architecture", a four year commission to photograph banks in Canada and the United States of America for the Museum of Fine Arts, Houston and The Parnassus Foundation.


  Albright-Knox Art Gallery, Buffalo, New York
  The Ackland Art Museum, University of North Carolina at Chapel Hill
  Agnes Etherington Art Centre, Queen’s University, Kingston, Ontario
  Art Gallery of Hamilton, Hamilton, Ontario
  Art Gallery of Nova Scotia, Halifax, Nova Scotia
  Art Gallery of Ontario, Toronto, Ontario
  Baltimore Museum of Art, Baltimore, MD
  Bibliothèque National, Paris, France
  Bowdoin College Museum of Art, Brunswick, ME
  Brooklyn Museum of Art, Brooklyn, NY
  Canada Council Art Bank, Ottawa, Ontario
  Canadian Centre for Architecture, Montréal, Québec
  Canadian Museum of Contemporary Photography, Ottawa, Ontario
  CincinNatti Art Museum, Cincinnati, OH
  Fondation Arts et Culture, Jouxtens-Mezery, Switzerland
  Gallery Stratford, Stratford, Ontario
  George Eastman House, Rochester, NY
  Gemeentemuseum Helmond, The Netherlands
  Glenbow Museum, Calgary, Alberta
  Grand Rapids Art Museum, Grand Rapids, MI
  Haggerty Museum, Marquette University, Milwaukee, WI
  Hall Art Foundation, New York, USA
  Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Stanford, CA
  Kaspar Collection, The Morgan Library & Museum, New York, NY, USA
  Kitchener-Waterloo Art Gallery, Ontario
  Leonard and Bina Ellen Art Gallery, Montréal, Québec
  Library of Congress, Washington, D.C.
  London Museum, London, Ontario
  Los Angeles County Museum of Art
  Mackenzie Art Gallery, Regina, Saskatchewan
  MacLaren Art Centre, Barrie, Ontario
  MAST Foundation, Bologna, Italy
  McMaster University Art Gallery, Hamilton, Ontario
  Mendel Art Gallery, Saskatoon, Saskatchewan
  Milwaukee Art Museum
  Montréal Museum of Fine Arts, Montréal, Québec
  Musée d'art contemporain de Montréal, Montréal, Québec
  Museum of Contemporary Canadian Art, Toronto, Ontario
  Museum of Fine Arts, Houston, Texas
  Museum of Photographic Arts, San Diego, CA
  Museum of Modern Art, New York
  Mount Holyoke College Art Museum, South Hadley, MA
  National Archives of Canada, Ottawa, Ontario
  National Gallery of Art, Washington, D.C.
  National Gallery of Canada, Ottawa, Ontario
  National Heritage Board, Singapore
  Nevada Museum of Art, Reno, Nevada
  Owens Art Gallery, Sackville, New Brunswick
  Palm Springs Art Museum, Palm Springs, CA, USA
  Pier 24, San Francisco, USA
  Presentation House, Vancouver, British Columbia
  Reina Sofia Museum, Madrid, Spain
  Ryerson Polytechnic University/School of Image Arts, Toronto, Ontario
  San Francisco Museum of Modern Art, CA
  San Jose Museum of Art
  Scottsdale Museum of Contempoary Art, Linhart Collection, Scottsdale, Arizona, U.S.A.
  Seattle Art Museum, Seattle, WA
  Snite Museum of Art, University of Notre Dame, Notre Dame, Indiana
  Solomon R. Guggenheim Museum, New York, NY
  Spencer Museum of Art, The University of Kansas
  Saint Louis Museum of Art, St. Louis, MO
  Stedelijk Museum, Amsterdam, Netherlands
  Tate Modern, London, England, U.K.
  Thessaloniki Museum of Art, Thessaloniki, Greece
  Tom Thompson Memorial Art Gallery, Owen Sound, Ontario
  Vancouver Art Gallery, Vancouver, BC
  Victoria and Albert Museum, London, England, U.K.
  Wadsworth Atheneum, Hartford, CT
  Whitney Museum of American Art, New York, NY
  Wilson Centre for Photography, London, U.K.
  Winnipeg Art Gallery, Winnipeg, Manitoba


  Ackerman & Co. Atlanta, Georgia
  Air Canada, Montréal, Québec
  Allied, Toronto, Ontario
  Arrow Hedge, Toronto, Ontario, Canada
  Bank of Montreal, Toronto, Ontario
  Bennett Jones
  Beutal, Goodman, Toronto, Ontario
  Blackburn Group, London, Ontario
  Blaney, McMurtry, Stappells, Toronto, Ontario
  Boston Red Sox, Boston, Massachusetts
  Burnet, Duckworth & Palmer, Calgary, Alberta
  CB Richard, Toronto, Ontario, Canada
  CDH Holdings Inc., Huntsville, ON
  Ciba-Geigy Canada Ltd., Toronto, Ontario
  CI Funds
  Canadian Imperial Bank of Commerce
  Cafritz Interests, Washington, DC
  Charles Schwab & Co.
  Chase Bank, New York, NY
  Claridge Incorporated
  C.S.T. Consultants Inc.
  Delaney Capital
  Devon Petroleum, Calgary, Alberta
  Dow Jones, New York
  Elton John Foundation, London, UK
  Encana Resources, Calgary, Alberta
  Enterprise Products, Houston, TX
  Fasken Martineau DuMoulin LLP, Toronto, Ontario
  Fidelity Investments
  Foreign Affairs Canada
  Goldman Sachs
  Government of Ontario Art Collection
  Granite Club, Toronto
  Grosvenor Capital Management, Chicago, Illinois
  Hunt Oil Company, Calgary, Alberta
  INCO, Head Office, Toronto, Ontario
  J.P. Morgan Bank
  Kelly Company, New York, NY
  Kestrel Capital Management Corp., Toronto, Ontario
  KPMG, Toronto, Ontario
  Lax, O'Sullivan, Cronk
  Lenczner, Slaught, Royce, Smith, Griffen, Toronto, Ontario
  Likrilyn Capital, Toronto, Ontario
  London Life, London, Ontario
  MAPAC Canada Ltd., Toronto, Ontario
  Microsoft Corporation, Redmond, Washington
  Morris, Rose, Ledgett, Toronto, Ontario
  McCarthy, Tetrault
  McMillan LLP, Toronto, Canada
  National Bank, Montreal, Quebec
  Novell, Incorporated
  OMERS, Toronto, Ontario, Canada
  ONEX, New York NY
  Ontario Mining Association, Toronto, Ontario
  Ove Arup & Partners International, London, UK
  The Parnassus Foundation, New York, N.Y.
  Phillip Morris Corporation, New York, N.Y.
  Power Corporation, Montreal, Quebec
  Price Waterhouse
  Refco Group, Ltd.
  Royal Bank of Canada
  Schulich School of Business
  The Source Code Escrow Company, Toronto, ON
  Sun Life of Canada
  Swiss Bank
  Swiss Re Life and Health
  TD Bank, Toronto, Ontario, Canada
  Teleglobe Canada, Montréal, Québec
  Telus Communications, Vancouver, Canada
  Templeton Management
  Tory, Tory, Deslauriers & Binnington
  TransAlta, Corporation, Calgary, Alberta
  Tremblanc Capitol, New York, NY
  Wilson Project Management, Toronto, Ontario
  Wood Gundy, Toronto, Ontario
  Zerofootprint Software Inc.


2017 Antonia, María, and Blanco Arroyo. El Mundo Alterado: El paisaje antrópico en la fotografía contemporánea. Spain: Athenaica, 2017.
Bishop, Jordan. "A Single, Finite Planet: Sitting Down With Photographer Edward Burtynsky." Forbes, January, 2017.
Malcolm, Chris. "Perceiving Extraction: Landscape, Use, and the Conditions of Visuality." UC Irvine: Comparative Literature, 2017.
Trischler, Helmuth. "Manufacturing landscapes: Artistic and scholarly approaches to engineered environments." in Global Environment, Volume 10, Number 1, April 2017, pp. 4-20.
2016 "Edward Burtynsky delights with his shocking photos of a ravaged planet," in The Globe and Mail, September 2016
Oliver Wainwright. "Edward Burtynsky on his ravaged Earth shots: 'We've reached peak everything," in The Guardian, September, 2016. |
Thomas Peck. "EDWARD BURTYNSKY: Water, Agriculture & Abstract Beauty," in On Landscape Magazine, September, 2016.
"Flowers Gallery to show Edward Burtynsky Salt Pans," in Photography Magazine, September, 2016.
"Edward Burtynsky: Essential Elements," in Port Magazine, September, 2016.
Alastair Sooke. "Edward Burtynsky: the photographer finding art in rivers of toxic waste," in The Telegraph, September, 2016.
Stephen Wallis. "Edward Burtynsky and Robert Polidori’s Shared Visions," in The Wall Street Journal, September, 2016.
2015 O'Brian, John. "Introduction: Through a Radioactive Lens," in Camera Atomica, 2015.
Bland, Jared. "Why We Love the Art we Love: Edward Burtynsky on the beauty of photography" in The Globe and Mail, June 6, 2015.
Mooallem, Jon. "Red Dirt," in The New York Times Magazine, October 25, 2015.
2014 Bierend, Doug. "Eptic Photos Expose Mankind's Uneasy Relationship With Water." Wired, April 17, 2014.
Henderson, Christine Rose. “Contemporary Ruins: Politics and Aesthetics Beyond the Melancholy Imagination.” 2014. Doctoral Dissertation, York University.
Noellgen, Sabine. "Veränderte Umwelt: Neue Leseweisen im Anthropozän" (Altered Environments: New Readings in the Anthropeocene). 2014. Doctoral Dissertation, University of Washington.
Romer, Amy. "Edward Burtynsky's photographs are the industrial landscape sublime." 2014. Essay, Falmouth University.
Whyte, Murray. “Large-Format Vision.” Galleries West, spring, p. 32-35.
2013 Baird, Daniel. “Planet Water: Edward Burtynsky Embarks on a New Film Partnership.” Canadian Art, summer, p. 86 - 93.
Boettger, Suzaan. “Oil on Paper.” The Brooklyn Rail, April 3.
Burtynsky, Edward. BURTYNSKY - WATER, Göttingen, Germany: Steidl Verlag,
September, 228 pages.
Bossen, Howard, Eric Freedman, and Julie Mianecki. “Hot Metal, Cold Reality: Photographers’ Access to Steel Mills.” Visual Communication Quarterly,Vol. 20, Number 1, pg. 4-19
Davidson, Barbara. “ReFramed: Necessity of Life.” Los Angeles Times, December 1.
Burtynsky, Edward. “Water.” The Walrus, October.
Cookson, Clive. “Liquid of Life.” FT Weekend Magazine, September 27.
Everett - Green, Robert. “Sebastião Salgado and Edward Burtynsky: The world according to the photography masters.” The Globe and Mail, May 4.
Fitzpatrick, Blake. “Interview with Edward Burtynsky.” POV Magazine, issue 91.
Franzoni, Christina. “Edward Burtynsky.” ZOOM Photographic Art, winter.
Landau, Emily. “All Wet.” Toronto Life, October.
Pritchett, Jennifer. “Troubled Waters.” Telegraph Journal, December 14.
Schuster, Joshua. “Between Manufacturing and Landscapes: Edward Burtynsky and the Photography of Ecology.” Photography & Culture, Vol. 6, Issue 2, July.
Segovia, Cintia. Alien - Nation. Northridge: California State University, 2013.
Thomson, Jimmy. “Edward Burtynsky: The renowned landscape photographer on his latest project, Water.” Canadian Geographic, October.
2011 Keats, Jonathon. "The Grim and Beautiful Vision of Edward Burtynsky" Men’s Journal, New York, USA. (April) p.78-83. Angel, Sara. "Refined Crude" (interview) Eye Weekly, Toronto, Canada. (April 14 -21) p.18-19. Burtynsky, Edward. "Pentimento" Burtynsky Studio Publication, (September), Hardcover / Softcover / Folio editions. Rydell, Malena. "Mr. Dump Master" Fotografiska, Stockholm, Sweden. (Spring) p.16-19. Enright, Robin. "The Fine and Excruciating Construction of the World" Border Crossings, (March) p.22-37. Clark, David. "Icons of Photography, Edward Burtynsky 1955-present" Amateur Photographer, London, U.K. (February 5) p.37-38. Godard, Peter. "Labour of Love" The Toronto Star, Toronto, Canada. (February 3) p.E1,E7. Viau, Rene. "Une Beaute Contaminée" Vie des Arts, (Winter - #221) p.48. Vigano, Enrica. Edward Burtynsky: L'uomo e la terra. Luci e ombre, Intervista a Edward Burtynsky, Centro Culturale di Milano, Milan, Italy (January) (cat.) Hodgson, Francis. "Seductive Obsolescence" Financial Times Weekend, London, U.K. (January 22) p.L&A8.
2010 Soberano, Amy. "Production Studio" Lifestyles Magazine, New York, USA. (Winter, #230) p.52-
57. Hodgson, Francis. "Windows on the World" FT Weekend Magazine, London, U.K. (13/14 November) p.22-29. Burtynsky, Edward. "Pentimento" Burtynsky Studio Publication, (September), Hardcover / Softcover / Folio editions. Hodgson, Francis. "Edward Burtynsky: Exploring the Residual Landscape" Sundaram Tagore Gallery, Hong Kong, China (cat.) "Edward Burtynsky: Beauté Coupable" Azart Photographie, Paris, France. (September 8) p.76-83. Jacob, Dider. "La Mareé Noire vue du Ciel" Le Nouvel Observateur, Paris, France. (July 8) p.98-100. "Edward Burtynsky" View, Brussels, Belgium. (June 17) p.32. Hodgson, Francis. "Edward Burtynsky: Oil" Portfolio, London, U.K. (May #51) p.22-33. "The Still Photograph: Embedding Images in Our Mind" Nieman Reports, (Spring #64-1) p.53-54. Grande, John K. Oil & Water, CV86, Montreal, (September #86) p.96-98. Abdajian, Laurent. "Un Monde de Brut" Télérama, Paris, France. (July 28) p.27. McCusker, Carol. "An uneasy Contradiction: Surveying the career of Edward Burtynsky" Color, London, U.K. (28 July) p.36-51. Sozanski, Edward J. "Ravaged landscapes, ugly yet not" The Philadelphia Enquirer, Philadelphia, Pennsylvania, USA. (July 28) H4A. Ballamingie, Patricia. "Edward Burtynsky’s China photographs: A multidisciplinary reading" Environments: a journal of interdisciplinary studies, Waterloo, (#37 - 2) p.67-92. Boetzkes, Amanda. "Waste and the Sublime Landscape" RACAR, (XXXV - 1) p.22-31. Axsom, Richard H. (ed). "100 Years 100 Works of Art" Grand Rapids Art Museum, Grand Rapids, Michigan, USA. p.200-201.
2008 BURTYNSKY - OIL, Published by Steidl, Germany, October, 216 pages, hardcover
"Find The Root: The Modern Industrial State" Kaze No Tabibito #33, Crevis, Tokyo, Japan, August, p.1-18
"Picture Power: The Cost of Progress" Newsweek, Beijing, China, July, p.84-87
Forbes, Duncan, “Edward Burtynsky’s Negative Sublime” Portfolio Magazine, Issue 47, Photography Workshop Ltd., Edinburgh, Scotland, May, p.4, 18, 21
Campbell, Craig, "Picturing Second Geography" (interview), Space and Culture, Edmonton, Alberta, February, p.39
Barth, Nadine, "Verschwindende Landschaften" (ENG: Vanishing Landscapes), Dumont, Cologne, Germany
Life Magazine, "Heaven" Beijing, China, April, p.16-33
Williams, Rosalind, "Edward Burtynsky" (interview) Tendencias, Madrid, Spain, Summer, p.58
Hodgson, Francis, "Return to the Source" FT Magazine, London, U.K., July, p.24
Baillargeon, Claude, "Affinity and Dialectic in Twice Removed" Nicholas Metiver Gallery, Toronto
Michael Dee, (Interview) FotoAllers Forlag, Hälsingborg, Sweden, May
Art World Magazine, Media Issue #3, London, U.K. February
Stephan Harding, "Intelligent Growth" Resurgence Magazine, issue number #247, Devon, U.K., March/April, p.12/13
Focus Magazine, G+J Gruner+Jahr Polska, Warsaw, Poland, June
Dwell Magazine, The Elements Issue: Light/Water/Earth, Issue #1, November, San Francisco
Poole, Di, "New Quarries" Next Level #14 White Issue, London, U.K., July, p.70-77
2007 BURTYNSKY - QUARRIES, Published by Steidl, Germany, October, 192 pages, hardcover
Edgar, Ray, "The Price of Power" Monument Magazine #79, Melbourne, Australia, June/July, p.90
Mary-Kay Lombino, "Utopialand" Vassar College, New York
Jacobs, Karrie, "Searching For the Future" Metropolis, Architecture & Design, January, p.42
"La Bella Cicatriz / The Beautiful Scar" Ojo De Pez, The Fall of Nature, Issue #8, p.14-27
"Manufacturing Humanism: Steichen/Burtynsky" Prefix Photo #15, May, p.55-67
Callick, Rowan, "All the Coal in China" The American, May/June, p.24-32
"Enfants De Cartier, Photographie Canadienne Contemporaine" Théàtre De La Photographie Et De L'Image, Nice, May/Aug
"Age of Extraction" Walrus Magazine, July/August, p.32-34
"Histoire - Geographie Terminales," editions magnard, June, Paris, France
Vrij Nederland, Issue no. 17, Amsterdam, Holland
Daniel Canogar, "Ruins" Exit Magazine # 24, Nov 06/Jan, Madrid, Spain
Worldchanging: A User's Guide for the 21st Century, January, New York
TIME Magazine, New York City, U.S.A. September, p.24-27
2006 Herbie Girardet, “Which Way China” Resurgence, May/June 2006, issue 236, Hartland, Bideford, UK.
Jules Petty, “Myth of Progress” Resurgence, May/June 2006, issue 236, Hartland, Bideford, UK.
National Geographic Society, September 2006, Washington, D.C. “Work” hardbound book
Daniel Canogar, "Ruins" Exit Magazine # 24, November 06 – January 07, Madrid, Spain
La Fabrica “Anima Mundi” November 2006, Madrid, Spain. p. 104 - 115
First Magazine, September 2006, London, U.K. “The poultry production line” p. 24
Worldchanging: A User's Guide for the 21st Century, January 2007, New York, Chapter: Planet Section: Climate Foresight
George Monbiot, Heat, (hardcover) Random House / Double Day, Toronto, September 2006
Rundshau, July 2006, Frankfurt, Germany
Raymond Aubin, Photo Sélection Magazine, November 2006, Quebec City, Canada, 25 Canadian Photo Personalities
Jan Bom, P+ People Planet Profit Magazine, Vol 4, #5, July/August 2006, Alphen aan den Rijn, The Netherlands, Publiceert het China van Edward Burtynsky
John K. Grande, "Manufactured Landscapes - an interview with Ed Burtynsky" Etc. Magazine, issue #75 Autumn 2006, Montreal, Canada
Art in Action, "Nature, Creativity, and Our Collective Future", Natural World Museum, Palace Press / Earth Aware Editions, San Rafael, California, September, 2007
Jaume Vidal Oliveras, Critical Review, El Cultural / El Mundo, April 27, 2006 Madrid, Spain.
Les Éditions du Renouveau Pédagogique, September 2006, Montréal, Canada. “Territoires 2” p. 223/227
Dominique Baqué, La Possibilité d'une Ville October 2006, Editions du Regard, Paris, France.
Eloisa de Dios, Diseñart Nº7, May 2006, Madrid, Spain.
Laura Allen and Mark Smout / Smout Allen, "Augmented Landscapes", Pamphlet Architecture 28, March 2007, Princeton Architectural Press, New York.
Photography: A Cultural History, July 2006, Author: Mary Warner Marien, 2nd ed. Laurence King Publishing / Prentice Hall, london, U.K. p. 475/476
Revista / Picnic, Portfolio section CHINA, Tabasco, Mexico, October, 2006
Ronald Wright, A Short History of Progress, House of Anansi Press, October 2006, Toronto Canada.
Viernes / El Periódico de Catalunya, April 2006, Barcelona, Spain.
Casa International issue no: 412006 June Beijing, P.R. China p. 32-35
Picnic, No. 13, November/December 2006, Mexico City. "supervivencia y bienestar / survival and wellbeing – Burtynsky-China Portfolio"
Sam Stephenson, "The Family of Destruction: Edward Burtynsky's Photographs" BardPolitik, Bard College Press, Annandale-on-Hudson, p.35 - 38.
Nancy Tousley, “Burtynsky in China” Calgary Herald, February 11, 2006, Calgary, Alberta.
Chinese Photo Magazine, “Portfolio” Beijing, China. January/February, 2006
George Wehrfritz, “Second Thoughts: China’s too-hot economy is prompting firms to look elsewhere to invest.” Newsweek, November 28, 2005. New York, NY, p.32
Carol Diehl, “The Toxic Sublime” Art in America, February 2006, New York, NY. p.118
Edward Burtynsky, Blind Spot, Issue 32, March 2006, New York. Also, available as a special hardbound version with tipped in limited edition print.
Hichael Hainey, Absolute Magazine, Issue 9, April, 2006, New York, NY.
Andrew Ross, “CHINA SYNDROME: The Economic Transformation of China is As Much A Threat to That Country As It Is to The US.” Playboy Magazine (US edition), Forum Section, March, 2006. New York.
Dean Kuipers, “GREENS WITH GUNS. Betrayed By The Republican Assault On Nature, Hunters Join Forces With The Granola Set.” Playboy Magazine (US edition), Forum Section, April, 2006, New York.
The Paris Review, no. 175 (fall/winter 2005), New York, NY.
Carte Blanche, Photography Vol. # 1, April 15, 2006, Toronto. “Photography in Canada” (text: Douglas Coupland)
Australian Strategic Policy Institute Limited (ASPI), Canberra, Australia. “Balancing Act: China’s unprecedented growth and implications for the Asia-Pacific”
Manfred Zollner, “Reich im Umbruch” fotoMAGAZIN, Issue #3, February 17, 2006, Hamburg, Germany.
Stephanie Ringel, "Die Weltfabrik" Sie+Er Magazine, Nr. 1/2006, January 2, 2006. Zurich, Switzerland.
Christa O’keefe, “The Art of Transformation” See Magazine, December 8 – 14, Edmonton, Alberta.
Rafael Pock, “China, the biggest labour reserve in the world” La Vanguardia Magazine, 15 January, 2006. Barcelona, Spain.
Andreas Weber, “Kuenstliche Landschaften: Die Schönheit des Hässlichen – Die Schönheit der Zerstörung” GEO Magazine, 03/March 2006, Hamburg, Germany.
Sabine Ostmann, "Vorbild" GEO Magazine, PHOTOGRAPHIE, Issue #3/06, February 2006, Essen, Germany.
C International Photo Magazine, Issue #2, June 2006 (two editions English-Chinese and SpanishJapanese) London, UK, Europe, North and South America, China, Japan. ( Hardcover book)
Telegraph Magazine, December 2005, London, U.K. 'The Year in Pictures 2005 from A to Z'
Another Magazine, 9th issue, Autumn/Winter 2005. London, U.K.
Independent, October 23rd, 2005 London, U.K. “The Bigger Picture” (text: Andrew Tuck - Editor of the Independent on Sunday review), large repro of Manufacturing # 6a & 6b, Hongquingting Shoe Factory, Wenzhou, Zhejiang Province, China.
Anna Sansom, Spoon, 'The Beauty of Progress' Nov/Dec 2005, Paris, France.
Issues in Science and Technology, Winter 2006, Vol. xxii #2, “Forum” Section, National Academies, University of Texas, Dallas “Altered Landscape” (various articles)
Dirt, Issue 2/3 February 2006, New York, NY.
Mark Cheetham – (head of art history U of T), “Art & Nature” The Walrus, April 2006, Toronto.
Lyle Rexer, “Global Topographers” Art on Paper, March/April 2006, New York, NY.
Worldview Magazine, Vol 19 No 1, Spring 2006, Washington, D.C. (Cover)
Alexandra Hawryluk, “The Photographs of Ukrainian Canadian Edward Burtynsky” The Ukrainian
Weekly, Vol.LXXIII No. 42, October 16, 2005 Parsippany, New Jersey.
Jacomijn de Raad, “Gewonde Landschappen” Vivant, Issue #1, March 2006, Amstelveen, The Netherlands
Joanne Glaseby, “Fast Forward: Photographer Edward Burtynsky’s exquisite, detailed work records progress, in all its guises.” Zag, Issue #2, March 2006, London, New York, Tokyo, Buenes Aires.
Felicity Wade, “Who is going to Save Me?” Photofile, Summer 2006, Paddington, New South Wales, Australia. p. 62 - 65
Kate Damoulin, “Lasting Lens” Flare Magazine, February 2006, Toronto. p. 44
Elaine Sexton, “Edward Burtynsky: Brooklyn Museum & Charles Cowles Gallery” ArtNEWS, New York, NY. p. 126
Halbe de Jong, “Ship Aan Flarden” (“Ships to Shreds”) Snoecks, Winter 2006, Gent, Belgium. p. 458/9
Andrew Atkinson, “Metro Pictures: Book Reviews” The Architect’s Newspaper, Vol. 4 Issue #2, February 2006, New York, NY.
Portfolio 06, Dec 2005, Roma, Italy. (intro text: Ferdinando Scianna)
GEO Italia, Summer 2006, Milan, Italy.
2005 Sansom, Anna, "The Beauty of Progress: Edward Burtynsky's widescreen Industrial Visions," November, Spoon, U.K.
Meyers, William, "An Artist in Awe of His Surroundings," October 13, New York Sun, Arts & Letters, p. 13
"Entropia," Fundacion Bilbao Bizkaia Kutxa, Bilbao, Spain, October (cat)
Baker, Kenneth, "As Nature Bleeds, Edward Burtynsky get the Big Picture," July 6, San Francisco Chronicle
Knight, Christopher, "His Aim is True," May 25, Los Angeles Times
Dixon, guy, "A Warning From the Wastelands," April 7, Globe and Mail, Review R1 - R3
Goddard, Peter, "Terror in Progress,", October 1, Toronto Star
Harris, Jeff, "The Reinvention of China," February 24, Maclean's, p.34 - 37
Roderick, Daffyd, "Made in Canada: Frame of Work" September 19, Arts & Culture, Time (Canadian Edition)
Milroy, Sarah, "Burtynsky's view of China Rising," October 15, Globe and Mail, Review, R5
Burtynsky, Edward, "BURTYNSKY - CHINA," Published by Steidl, Germany, October, 148 Pages, 96
Colour Plates, 3 Essays, Hardcover, ISBN - 3-86521-130-5
2004 Regimbald, Manon, "Les Ruines Des Burtynsky," November-December, Spirale, p. 41
Dault, Gary Michael, "The Eleventh Hour in Photography," Summer, Canadian Art, Vol. 20 - No. 1, p. 56
Fishman, Ted, "The Chinese Century," July 4, New York Times, P. 24
Milroy, Sarah, "On the Eve of Destruction," May 31, Globe and Mail, R-6
Stacey, Robert, "Surreal Photos Expose the Magic," May, Sustain Magazine, p. 47
Kuipers, Dean, "Guru of Wise Use," May, Playboy, p. 51
Goldberg, Vicki, "The Emerald Megacities of Southeast Asia," April 11, New York Times
Hannon, Gerald, "The Eyes of Edward Burtynsky," February, Toronto Life, p. 81
Whyte, Murray, "Beautiful Mines," February, ARTnews, p.70
Browne, Kevin, "It isn't a Snap," February 7, National Post
Whyte, Murray, "Adding up the price that Nature Pays," January, New York Times
Goddard, Peter, "Landscapes Wrenching Ruins," January, Toronto Star, G-4
2003 Richler, Noah, "This Overheating World: The Evidence of Man," Autumn, Granta
Dawson, Jessica, "Unnatural Wonders," August 7, Washington Post
Whyte, Murray, "Mapping the High Cost of Progress," June 28, Toronto Star, F-4
Burnett, Craig, "Manufactured Landscapes: Burtynsky Delivers," Summer, Modern Painters, p. 137
Darwent, Charles, "Unnatural Beauty," May 11, The Independent, p.23
Youngs, Christopher, "Industry and Entropy," March/April, Albright Center for the Arts (Cat.)
Fulford, Robert, "Industrial Light and Magic," March 11, National Post
Dean, Katherine, "Sublime Traces," February 3, McLean's Magazine, p. 42
2002 Leffingwell, Edward, "Reviews: Edward Burtynsky at Charles Cowles," June, Art In America, p. 129
Douglas, Sarah, "Reviews: New York, Edward Burtynsky Charles Cowles," May/June, Flash Art, p. 134
May 16-22, Now Magazine, p. 61
Fulford, Robert, "Art Around Every Corner," May 9, The National Post, p. AL 3
Williams, Gregory, "Reviews: Edward Burtynsky Charles Cowles Gallery," May, ArtForum, p. 181-2
May: Elm Street Magazine, p. 20
May: Harper's Magazine, p. 15
Bowness, Gordon, "The Giants," April, Report On Business Magazine, p. 56-64
Callahan, Sean, "Multiple Viewpoints," Smithsonian Magazine, April.
"Real Art Ways, Acquiring Taste," 23 February- 30 June, p. 85
Loke, Margarett, "Art in Review: Edward Burtynsky," The New York Times, February 22, p. E40.
Chinen, Nate, "Edward Burtynsky," New York, February
Dannatt, Adrian, "New York: Contemporary dealer shows: Edward Burtynsky - Charles Cowles," The Art Newspaper, What's On, February, p. 3.
Ruiz, Cristina, "Rest of the world: Commercial galleries: Edward Burtynsky, Shipbreaking; Jane Hinton, Structures: new photographs - Mira Godard Gallery, Toronto," The Art Newspaper, What's On, February, p. 27.
"Goings On About Town: Photography: Edward Burtynsky," The New Yorker, February 11, p. 13, 16.
"Goings On About Town: Photography: Edward Burtynsky," The New Yorker, January 28, p. 24.
2001 Donegan, Rosemary, "Awesome Ambiguity: Edward Burtynsky's Industrial Landscape," Prefix Photo 3, p. 9-23
Baker, Kenneth, "Edward Burtynsky," ARTnews, May.
Richler, Noah, "Residual Landscapes," Saturdy Night Magazine, May 19, p. 25-29
Mays, John Bentley. "A Melancholy Beauty: Edward Burtynsky's ship-breaking images are revealing in their humanity," The National Post, April 25.
Torosian, Michael, Residual Landscapes: Studies of Industrial Transfiguration, Lumiere Press.
Mayer, Marc, "A Dystopian Sublime: Edward Burtynsky's Grand Tour," Edward Burtynsky (cat).
2000 Avenue, "Industrial Magic: A Look At the Art of Edward Burtynsky" The National Post, June 14
Dault, Gary Michael, "Burtynsky's refined images offer aestheic truth" The Globe and Mail, June 3
Crumer, Jason, "Artist Showcase: Edward Burtynsky" Hemispheres, May 2000, p. 80-84
The Hamson Interview, "Firing up the Power Plant" The Globe and Mail, January 12
1999 Murray, Joan, Canadian Art in the Twentieth Century, Dundurn Press
Hanna, Deirdre, "Ed Burtynsky ignites industrial passions" Now Magazine, October 28-November 3
Dean, Catherine, "Hot Wheels" The National Post, November 16
September: Harper's Magazine, p. 23
Luppino, Tony, "Mining for art in the nickel belt" The Globe and Mail, August 4
1998 Long, Andrew, "Landscapes in Flux", Art & Antiques, December 1998
Falk, Dan, "Mining modern industry for art gems," The Globe and Mail, May 5
1997 Pedersen, Andy, "Disfigured Landscapes," The Daily News, November 1
October: Harper's Magazine, p. 15
1996 Rhodes, Richard, "Tailings", Canadian Art, vol. 13, number 3, Fall issue
1994 Burtynsky, Edward, Quarries, essay by Michael Mitchell (cat)
Hume, Christopher, "Carrara's beauty and banality," The Toronto Star, February 24
Bentley Mays, John, "Review in Brief," The Globe and Mail, March 22
Hanna, Dierdre, "Ed Burtynsky's quarry photos uncover troubling splendour" Now Magazine, March 31-April 6
1993 Durand, Régis, "Photographies Canadiennes Contemporaines Indentités et Invention", Art Press, issue 186, December
McCormick, Katy, Embodied Spaces: Photography in Contemporary Art, (cat) Le Mois de la Photo à Montréal, September
Stacey, Robert, "Edward Burtynsky: The Stone Quarries", (Review) Canadian Art, Spring Edition
Cundiff, Brad, "Edward Burtynsky" (Cover and feature article), Studio Magazine, Nov./Dec.
1992 Matarozzo, Sharon, "Breaking Ground", Common Ground, issue 46, Jan/Feb
Hume, Christopher, "Quarries" The Toronto Star, February 24
Langford, Martha, Beau , Canadian Museum of Contemporary Photography
Pouliot, J. Marc Cote, Faces of Canada, Urban Photographic Projects Inc.
Hume, Christopher, "New photo museum puts focus on beauty," The Toronto Star, May 9
Rafelman, Rachel, "Adjustments in focus," The Globe and Mail, April 11
1991 HBR Photo File, "From Monoliths to Malls: The Changing Face of Banks", Harvard Business Review, May-June.
Pfahl, John and Olsen, Sandra, Tainted Prospects: Photographers and the Compromised Environment, Castellani Art Museum (cat)
Godfrey, Stephen, "The mini and the mighty," The Globe and Mail, January 2
1990 Wagg, Susan, Money Matters: A Critical Look at Bank Architecture, McGraw-Hill
Barbour, David, The Landscape, McMichael Art Collection (cat)
Arthur, Alan, "A Major Exhibition Celebrates Bank Architecture", Canadian Photographer, Issue One, Spring
Simpson, Rose, "Portfolio, Edward Burtynsky", Photosource, July/August
Wingham, Judy, "Fine Art Photography in Canada", Viewfinder, November
Harris, David, Money Matters: A Critical Look at Bank Architecture, (cat) Canadian Centre for Architecture
Hume, Christopher, "New Bolley paintings colored in depressing shade of blue," The Toronto Star, May 11
Smellie, Jan, "Eight Canadian landscapers in premiere event at McMichael," The Enterprise, September 24
1989 Ministerstvo Kultury CSR, ed. Mrázková, Daniela, 150 Years of Photography, Prague, 1989, Videopress
Smith, Whitney, Journal of Wild Culture, (back cover), Spring Issue
Creighton, Christopher, "The focus is on 150 years of photography," Cobourg Daily Star, March 3
1988 Burtynsky, Edward, Breaking Ground, Canadian Museum of Contemporary Photography (cat)
Hume, Christopher, "Environmental art breaks artistic ground," The Toronto Star, July 8
1984 Langford, Martha, Contemporary Canadian Photography, Hurtig Publishers Ltd.
1983 Fisher-Tayler, Gail, Photo Communique, (front cover) Summer issue